[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.27.4″ _module_preset=”default” height_tablet=”” height_phone=”508px” height_last_edited=”on|phone” custom_margin=”||||false|false” custom_padding=”||||true|false” top_divider_style=”none” top_divider_color=”#FFFFFF” top_divider_height=”41px” hover_enabled=”0″ background_last_edited=”on|phone” background_image_phone=”https:\/\/bernardfroment.com\/wp-content\/uploads\/2025\/10\/bernard-froment-ww78.jpg” background_enable_image_phone=”on” background_size_phone=”initial” background_position_phone=”top_center” locked=”off” global_colors_info=”{}” sticky_enabled=”0″ title_text=”bernard-froment-ww78″ custom_margin_last_edited=”on|phone” custom_margin_phone=”90px||||false|false” custom_margin_tablet=”||||false|false”][et_pb_fullwidth_image src=”https:\/\/bernardfroment.com\/wp-content\/uploads\/2025\/01\/bernard-froment-1721844078.jpg” title_text=”bernard-froment-1721844078″ src_tablet=”https:\/\/bernardfroment.com\/wp-content\/uploads\/2025\/01\/bernard-froment-1721844078.jpg” src_phone=”” src_last_edited=”on|desktop” _builder_version=”4.27.4″ _module_preset=”default” background_enable_image=”off” background_position=”bottom_center” module_alignment=”center” height=”882px” height_tablet=”619px” height_phone=”580px” height_last_edited=”on|phone” custom_margin=”||||false|false” custom_padding=”0px||1px||false|false” hover_enabled=”0″ background_last_edited=”on|phone” background_enable_image_phone=”off” parallax_phone=”off” background_size_phone=”contain” background_position_phone=”top_center” background_vertical_offset_phone=”100%” global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=”1″ prev_background_color=”#ffffff” admin_label=”Services” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#b57438″ custom_padding=”||6px|||” top_divider_style=”none” bottom_divider_color=”#e09900″ bottom_divider_height=”65px” locked=”off” collapsed=”on” global_colors_info=”{%22gcid-2cf18f4b-ad1d-4daf-a40a-75be4919065f%22:%91%22background_color%22,%22background_color%22,%22background_color%22,%22background_color%22%93}”][et_pb_row make_equal=”on” _builder_version=”4.27.4″ _module_preset=”default” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” background_color=”gcid-55e89f59-bdfa-4c7c-a24f-b278f03ffe74″ custom_padding=”60px|60px|60px|60px|true|true” custom_padding_tablet=”30px|30px|30px|30px|true|true” custom_padding_phone=”20px|20px|20px|20px|true|true” custom_padding_last_edited=”on|desktop” global_colors_info=”{%22gcid-55e89f59-bdfa-4c7c-a24f-b278f03ffe74%22:%91%22background_color%22%93}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”b327cbe4-b1d5-4b66-ad37-40c8f2f061ba” header_text_color=”#FFFFFF” header_2_font=”Comfortaa|700|||||||” header_2_text_color=”#FFFFFF” header_2_font_size=”36px” header_2_line_height=”1.2em” text_orientation=”right” custom_margin=”80px|||||” custom_margin_tablet=”5px||||false|false” custom_margin_phone=”5px||||false|false” custom_margin_last_edited=”on|tablet” header_2_font_size_tablet=”32px” header_2_font_size_phone=”20px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{%22gcid-1adb0c48-e943-4be8-b747-83127bdbd76c%22:%91%22header_2_text_color%22%93}”]<\/p>\n
[\/et_pb_text][et_pb_divider color=”#FFFFFF” divider_weight=”3px” _builder_version=”4.27.4″ _module_preset=”default” max_width=”350px” module_alignment=”left” custom_margin=”||||false|false” locked=”off” global_colors_info=”{%22gcid-f1414204-51c0-48ff-bc68-c545a86d03e7%22:%91%22color%22%93}”][\/et_pb_divider][et_pb_text _builder_version=”4.27.4″ _module_preset=”1f09816e-184e-4ce5-a4cf-b39c52c423ca” text_font=”||||||||” text_text_color=”#FFFFFF” text_font_size=”16px” text_line_height=”1.6em” text_orientation=”right” custom_margin=”||81px|||” hover_enabled=”0″ text_font_size_tablet=”15px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” header_font_size_tablet=”55px” header_font_size_last_edited=”off|desktop” global_colors_info=”{%22gcid-1adb0c48-e943-4be8-b747-83127bdbd76c%22:%91%22text_text_color%22%93}” sticky_enabled=”0″]<\/p>\n
Farmer for over 40 years in the Dr\u00f4me,<\/p>\n
As a verrien agrisculteur for 30 years, I’ve always been sensitive to beauty, art, light, the fragility of life and its strength, and poetry.<\/p>\n
As a farmer, I’m aware of the power of germination, of the force of time passing, and I feel the need to write, to bring together and transform in order to raise our sights higher.<\/p>\n
Like the stained-glass windows I create, I situate myself between two, inside and outside, earth and sky.<\/p>\n
If I work with glass, it’s because it resonates so much with human qualities. For me, sculpture is the materialization of feelings. It allows me to express my intimacy. <\/p>\n
In cutting glass with diamonds and assembling it with iron, wood and stone, light emerges from the breakage, from the shine and unites the colors. I associate glass with tools, often agricultural, or with ancient materials to express my feeling that man must draw on his roots to move forward. Assembling, gathering tools, forgotten or discarded thoughts and, in a moment of sincerity, sculpting, giving them new life and saying that it’s never finished. From heart to hand, be the leaven to offer the bread, and awaken us to the notion of eternity. <\/p>\n
In 1991, my first exhibition expressed the suffering and beauty of the farming world, its harmony and sensitivity with nature, but also its remoteness. It was called “De Terrien \u00e0 Verrien”. Now I realize that this is where my story lies, trying to make humanity feel the sacredness of its existence. <\/p>\n
For me, art means being able to say, see, touch, feel and taste Life. To offer a space of peace and freedom. The artist doesn’t do to do, but to say. <\/p>\n
Listen to a bird sing, it sings peace. Watching a farmer sow, he pushes towards freedom. <\/p>\n
Sow a field of wheat to feed mankind,<\/p>\n
Sculpting to continually Love.<\/p>\n
Bernard Froment<\/strong><\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/bernardfroment.com\/wp-content\/uploads\/2025\/01\/texte02-b-froment.png” title_text=”texte02-b-froment” _builder_version=”4.27.4″ _module_preset=”default” width=”46%” width_tablet=”74%” width_phone=”98%” width_last_edited=”on|tablet” module_alignment=”center” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_image title_text=”64″ _builder_version=”4.27.4″ _module_preset=”default” background_image=”https:\/\/bernardfroment.com\/wp-content\/uploads\/2025\/03\/64.jpg” parallax=”on” width=”100%” height=”591px” height_tablet=”585px” height_phone=”865px” height_last_edited=”on|phone” locked=”off” global_colors_info=”{}”][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Services” _builder_version=”4.27.4″ _module_preset=”default” background_color=”#b57438″ custom_padding=”||6px|||” bottom_divider_color=”#e09900″ bottom_divider_height=”65px” locked=”off” collapsed=”off” global_colors_info=”{%22gcid-2cf18f4b-ad1d-4daf-a40a-75be4919065f%22:%91%22background_color%22,%22background_color%22,%22background_color%22%93}”][et_pb_row make_equal=”on” _builder_version=”4.27.4″ _module_preset=”default” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” background_color=”gcid-55e89f59-bdfa-4c7c-a24f-b278f03ffe74″ custom_padding=”60px|60px|60px|60px|true|true” custom_padding_tablet=”30px|30px|30px|30px|true|true” custom_padding_phone=”20px|20px|20px|20px|true|true” custom_padding_last_edited=”on|desktop” global_colors_info=”{%22gcid-55e89f59-bdfa-4c7c-a24f-b278f03ffe74%22:%91%22background_color%22%93}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”b327cbe4-b1d5-4b66-ad37-40c8f2f061ba” header_text_color=”#FFFFFF” header_2_font=”Comfortaa|700|||||||” header_2_text_align=”left” header_2_text_color=”#FFFFFF” header_2_font_size=”30px” header_2_line_height=”1.2em” header_3_text_color=”#FFFFFF” text_orientation=”right” header_2_font_size_tablet=”32px” header_2_font_size_phone=”20px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{%22gcid-1adb0c48-e943-4be8-b747-83127bdbd76c%22:%91%22header_2_text_color%22%93}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#FFFFFF” divider_weight=”4px” _builder_version=”4.27.4″ _module_preset=”default” max_width=”200px” module_alignment=”left” custom_margin=”||||false|false” locked=”off” global_colors_info=”{%22gcid-f1414204-51c0-48ff-bc68-c545a86d03e7%22:%91%22color%22%93}”][\/et_pb_divider][et_pb_text _builder_version=”4.27.4″ _module_preset=”1f09816e-184e-4ce5-a4cf-b39c52c423ca” text_font=”||||||||” text_text_color=”#FFFFFF” text_font_size=”16px” text_line_height=”1.6em” text_orientation=”right” text_font_size_tablet=”15px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” header_font_size_tablet=”55px” header_font_size_last_edited=”off|desktop” global_colors_info=”{%22gcid-1adb0c48-e943-4be8-b747-83127bdbd76c%22:%91%22text_text_color%22%93}”]<\/p>\n Bernard Froment is certainly off the beaten track. To salute his work, we’ll follow in the footsteps of the poet Werner Lambersy: “… I put my hands \/ In the earth, the dust, \/ And the clay, \/ Whose gloves fit me \/ To measure\/ My skin \/ Against these skins\/ Carved in a piece\/ Bigger\/ And softer\/ The palm of the\/ World \/ I sank my fingers into \/ The flesh where to plant my feet… “. <\/p>\n The beaten track? You’d have to take them, not stay on the surface of things, like water sliding over a duck’s feathers. <\/p>\n In truth, Bernard Froment’s sculpture is all arms and wings, in a strange, fusional ballet that reminds us, with glass, of the sand that the wind gave birth to. From a breathless lock, he offers us a map of improbable universes. His work subtly combines abstraction and realism. Close to everyday reality, he transports us into an unreal world of twirling, spinning, impalpable creatures. A skin-deep Tower of Babel. Bernard Froment suggests a margin of indefiniteness. With rare conciseness and intensity, he unfurls shudders. Simple and complicated, he invites us to inhabit the world poetically, in the image of H\u00f6lderlin… Man dwells on earth, and exchange and discussion are perceived as oral sculpture… This is what Nietzsche so magnificently highlighted: “Man is no longer an artist, he has become a work of art […], here we knead the noblest clay, we sculpt the most precious marble: man himself”. <\/p>\n Gilbert Auzias – FOL Ard\u00e8che – Thursday, January 29, 2014<\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ next_background_color=”#ffffff” _builder_version=”4.27.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” background_image=”https:\/\/bernardfroment.com\/wp-content\/uploads\/2025\/01\/2024_11_NG_DP_DSC_0576.jpg” height=”794px” height_tablet=”794px” height_phone=”283px” height_last_edited=”on|phone” bottom_divider_style=”wave2″ bottom_divider_height_tablet=”59px” bottom_divider_height_phone=”33px” bottom_divider_height_last_edited=”on|tablet” background_last_edited=”on|phone” parallax_phone=”off” background_size_phone=”contain” background_image_width_phone=”5%” background_image_height_phone=”44%” background_position_phone=”center” background_vertical_offset_phone=”70%” locked=”off” global_colors_info=”{}” bottom_divider_height__hover_enabled=”on|desktop” bottom_divider_height__hover=”32px”][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_row make_equal=”on” _builder_version=”4.27.4″ _module_preset=”default” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|tablet” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” background_color=”gcid-55e89f59-bdfa-4c7c-a24f-b278f03ffe74″ custom_padding=”60px|60px|60px|60px|true|true” custom_padding_tablet=”30px|30px|30px|30px|true|true” custom_padding_phone=”20px|20px|20px|20px|true|true” custom_padding_last_edited=”on|desktop” global_colors_info=”{%22gcid-55e89f59-bdfa-4c7c-a24f-b278f03ffe74%22:%91%22background_color%22%93}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”b327cbe4-b1d5-4b66-ad37-40c8f2f061ba” text_text_color=”#FFFFFF” header_text_color=”#000000″ header_font_size=”18px” header_2_font=”Comfortaa|700|||||||” header_2_text_color=”#000000″ header_2_font_size=”39px” header_2_line_height=”1.2em” header_3_text_color=”#FFFFFF” text_orientation=”right” header_2_font_size_tablet=”32px” header_2_font_size_phone=”20px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{%22gcid-1adb0c48-e943-4be8-b747-83127bdbd76c%22:%91%22header_2_text_color%22%93}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#E09900″ divider_weight=”4px” _builder_version=”4.27.4″ _module_preset=”default” max_width=”250px” module_alignment=”left” custom_margin=”||||false|false” locked=”off” global_colors_info=”{%22gcid-f1414204-51c0-48ff-bc68-c545a86d03e7%22:%91%22color%22%93}”][\/et_pb_divider][et_pb_text _builder_version=”4.27.4″ _module_preset=”1f09816e-184e-4ce5-a4cf-b39c52c423ca” text_font=”||||||||” text_text_color=”#000000″ text_font_size=”16px” text_line_height=”1.6em” header_text_color=”#FFFFFF” header_4_text_color=”#E09900″ text_orientation=”right” min_height=”3741.9px” custom_margin=”||17px|||” text_font_size_tablet=”15px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” header_font_size_tablet=”55px” header_font_size_last_edited=”off|desktop” global_colors_info=”{%22gcid-1adb0c48-e943-4be8-b747-83127bdbd76c%22:%91%22text_text_color%22%93}”]<\/p>\n Galerie NANO – Marsanne<\/p>\n Group exhibition at the Prieur\u00e9 de Grignan<\/p>\n Group exhibition – S\u00e9guret<\/p>\n Art show – Penmarch<\/p>\n SALON DU VERRE – Honfleur<\/p>\n ABCD Gallery – Mougins<\/p>\n MAC Museum Art & Cars – Singen Germany<\/p>\n Permanent exhibition Atelier Galerie, Anc\u00f4ne, Dr\u00f4me<\/p>\n Eva Vermeerbergen Gallery<\/p>\n Glass Biennial – Mont\u00e9limar<\/p>\n CARREFOUR DES ARTS – Lalouvesc<\/p>\n OTHER CITY – Vaison la romaine<\/p>\n Galerie Charles DIEHL – Avignon<\/p>\n Exhibition Bernard Froment – Nadine Nacinovic – Saint cyr au mont d’or<\/p>\n Permanent exhibition Atelier Galerie, Anc\u00f4ne, Dr\u00f4me<\/p>\n SALON DU VERRE – Honfleur<\/p>\n Bann’Art – Banne<\/p>\n Permanent exhibition – Atelier Galerie Catharina Raby – Gigondas<\/p>\n Permanent exhibition – Mas du lac – Uz\u00e8s<\/p>\n Permanent exhibition Atelier Galerie, Anc\u00f4ne, Dr\u00f4me<\/p>\n SALON DU VERRE – Honfleur<\/p>\n VERRE & LUMIERE – Group show – Mont\u00e9limar<\/p>\n Bernard Froment – Evelyne Dubour exhibition – Prieur\u00e9 de Charri\u00e8re<\/p>\n Bernard Froment – Evelyne Dubour exhibition – Ch\u00e2teau de l’Arthaudi\u00e8re<\/p>\n ART AND MATERIAL 3 Bernard Froment – Ghani Ghouar – Saillans<\/p>\n Permanent exhibition Atelier Galerie, Anc\u00f4ne, Dr\u00f4me<\/p>\n Group exhibition, Cliousclat, Dr\u00f4me<\/p>\n PERMAE exhibition, Grande Halle de la Villette, Paris<\/p>\n Permanent exhibition Atelier Galerie, Anc\u00f4ne, Dr\u00f4me<\/p>\n SIAC Marseille<\/p>\n SCULPTURUM Paris<\/p>\n Art3f Mulhouse<\/p>\n Art3f Brussels<\/p>\n SM’ART Aix en Provence<\/p>\n ART MONTPELLIER, Galerie D\u00e9clicart, Vaison la Romaine<\/p>\n ART AND THE VINEYARD, Ferme des Arts, Vaison la Romaine<\/p>\n ART DANS LA NEF, Vaison la Romaine<\/p>\n THE ART OF DREAMING, Ch\u00e2teau Les Oliviers de Salettes, Charols<\/p>\n MIRMAND’ART<\/p>\n Permanent exhibition – Galerie Bernard Froment – Mirmande<\/p>\n DECLICART Gallery – Vaison la Romaine<\/p>\n MIRMAND’ART<\/p>\n ART UP LILLE – Galerie D\u00e9clicart – Vaison la Romaine<\/p>\n Permanent exhibition – Galerie Bernard Froment – Mirmande<\/p>\n LAUSANNE ART FAIR – Galerie D\u00e9clicart – Vaison la Romaine<\/p>\n FOR\u00caT MYSTIQUE \/\/ Bernard Froment – Anne Louvign\u00e9 \/\/ Galerie AC Simon – Paris<\/p>\n DECLICART Gallery – Vaison la Romaine<\/p>\n Permanent exhibition – Galerie Bernard Froment – Mirmande<\/p>\n GALERIE BARNOUIN, Solo exhibition, Pierrelatte<\/p>\n ART’SPIRINE” exhibition in Issy-les-Moulineaux<\/p>\n LES MURS DE LA TUILIERE, Old Vaison la Romaine<\/p>\n Les Jardins de BURRHUS, Vaison la Romaine<\/p>\n LES MURS DE LA TUILIERE, St Marcellin les Vaison<\/p>\n L’ARTISTERIE, Po\u00ebt-Laval<\/p>\n ART EN DEMEURE, Mirmande<\/p>\n ART EN CAPITAL, Grand Palais, PARIS<\/p>\n CHAPELLE DE RAC, Malataverne<\/p>\n NEW METAMORPHOSES, La Mothe st H\u00e9ray<\/p>\n ARTS EVASIONS, Burgundy<\/p>\n PLACE DES ARTS, Bercy, Paris<\/p>\n SCULPTURUM, Strasbourg<\/p>\n Art3f Paris<\/p>\n Exhibition Chapelle St Andr\u00e9, Mont\u00e9limar<\/p>\n Rencontres Agriculturelles, St Pal en Chalancon<\/p>\n 7 stained glass windows, altar and lectern, Ancona church<\/p>\n GALERIE EMILIANI, Dieulefit<\/p>\n Group exhibition, Mirmande<\/p>\n Exhibition Abbaye de L\u00e9oncel<\/p>\n GALERIE BRULEE, Strasbourg<\/p>\n GALERIE EMILIANI, Solo exhibition, Dieulefit<\/p>\n GALERIE ” LES VIEUX MURS ” Antibes<\/p>\n Solo exhibition, Ch\u00e2teau Pibarnon, La Cadi\u00e8re d’azur<\/p>\n EXILS” Festival, Annonay<\/p>\n Center d’art ESPACE CHABRILLAN, Mont\u00e9limar<\/p>\n Hommage \u00e0 la lumi\u00e8re, Montreal, Quebec<\/p>\n Photographic exhibition, Grignan<\/p>\n Rencontres Agriculturelles, St Pal en Chalancon<\/p>\n Exhibition Abbaye de Noirlac<\/p>\n First exhibition, “DE TERRIEN A VERRIEN”, Mont\u00e9limar<\/p>\n “Champs de libert\u00e9” Open-air installation, Ancona<\/p>\n “Uni Verre Son”, Contemporary Art Week, Mont\u00e9limar<\/p>\n “A CIEL OU VERRE, Sainte Beaume<\/p>\n “Uni Verre Son”, FAUST, Toulouse. Villa Gilet, Lyon. FUTURA, Crest <\/p>\n “A fleur de peau”, Solo exhibition, Charmes sur Rh\u00f4ne<\/p>\n 1st BIENNALE D’ART SACRE CONTEMPORAIN, Lyon Villeurbanne.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” background_enable_color=”off” height=”100px” bottom_divider_style=”wave2″ bottom_divider_color=”#e07511″ bottom_divider_height_tablet=”” bottom_divider_height_phone=”42px” bottom_divider_height_last_edited=”on|phone” locked=”off” global_colors_info=”{}”][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" From earth to glassFarmer for over 40 years in the Dr\u00f4me, As a verrien agrisculteur for 30 years, I’ve always been sensitive to beauty, art, light, the fragility of life and its strength, and poetry. As a farmer, I’m aware of the power of germination, of the force of time passing, and I feel the […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"dipi_cpt_category":[],"class_list":["post-25834775","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/bernardfroment.com\/en\/wp-json\/wp\/v2\/pages\/25834775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bernardfroment.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bernardfroment.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bernardfroment.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bernardfroment.com\/en\/wp-json\/wp\/v2\/comments?post=25834775"}],"version-history":[{"count":29,"href":"https:\/\/bernardfroment.com\/en\/wp-json\/wp\/v2\/pages\/25834775\/revisions"}],"predecessor-version":[{"id":25835280,"href":"https:\/\/bernardfroment.com\/en\/wp-json\/wp\/v2\/pages\/25834775\/revisions\/25835280"}],"wp:attachment":[{"href":"https:\/\/bernardfroment.com\/en\/wp-json\/wp\/v2\/media?parent=25834775"}],"wp:term":[{"taxonomy":"dipi_cpt_category","embeddable":true,"href":"https:\/\/bernardfroment.com\/en\/wp-json\/wp\/v2\/dipi_cpt_category?post=25834775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Bernard Froment<\/h2>\n
A margin of indefiniteness<\/h3>\n
Exhibitions<\/h2>\n
2025<\/h4>\n
2024<\/h4>\n
2023<\/h4>\n
<\/h4>\n
2022<\/h4>\n
<\/h4>\n
2021<\/h4>\n
2020<\/h4>\n
2016 – 2019<\/h4>\n
2011- 2015<\/h4>\n
2004 – 2010<\/h4>\n
1997 – 2003<\/h4>\n
1991 – 1996<\/h4>\n